Upon of which is chestnut, which seems to

Upon of which is chestnut, which seems to

Upon first sight of this sculpture, one is introduced to its overwhelming expression and brilliant size. This untitled statue stands approximately life size at a mere six to six and a half feet tall and is about two or three feet wide. He is standing upright on a gray rectangular structure approximately three feet off the grounding making him about nine and half feet total. This is a monstrous sculpture when looked upon firsthand. It seemingly is a man, possibly a warrior of some kind. This statue is made from two different types of wood.

The first of which is chestnut, which seems to encompass the lower portion of his body and in his clothing. Its color is a faded type of tan flesh tone. The second type of wood is cypress, found mainly in his face and upper body. It, too, is the same in color, but appears to have some kind of paint or varnish of some nature found throughout the surface. The wood seems to be pieced together because the joints are quite noticeable to the eye.

The carving marks are also apparent, making the overall expression of this mammoth sculpture much more intense. There are deeper markings found throughout the face, expressing his highly sloped eyebrows and extreme facial expression.Structurally, this figure is quite eye catching to say the least. Its broad, heavy shoulders are at an angle tilted upwards away from its hips. Its back is arched forward as if he were bending forward, possibly conveying a message.

His right arm is hanging at his side, bent inward towards his rib cage.His left arm is displayed in a manner as if he were in the motion of punching or delivering a blow of some kind. His facial features show great anger and fury through intense carvings in the brow and beneath his eyes in the cheekbones. His mouth seems to be in the motion of delivering words, or maybe just a grunt of some sorts, and his eyes are cast at possible subjects.The creator of this sculpture chose a very interesting subject matter. It appears to be a man, possibly a warrior. He is larger in size, and is defined well physically.

His facial features are extremely stylized and lack detail. His bulky and overwhelming size makes it hard for one to look at. His shirtless upper body is shown in great detail in a type of circular fashion. It is anything but naturalistic. It is highly exaggerated in a way that makes him appear bigger than he actually may be. His lower body is covered from his hips to his knees with clothing, which bares resemblance to a kilt of dress.

He has something on his head, which resembles a ponytail but could also pass from some type of headdress. He is also wearing enormous sandals from which his immense feet protrude.The texture of the surface of this sculpture is extremely rough, obviously due to the material from which it was made from. This roughness is somewhat appropriate in that it displays this characters intense anger. The garb of this statue is smoother than that of the flesh, and hangs down to the back of his feet. It flows in a natural way, creating a sense of depth and dimensionality that the rest of the statue lacks.

The wavy, curvy lines found throughout his attire makes the eye move around the lower portion of the body, and brings the eye upward toward the chest and stomach region. It seems to define the legs in a well noticeable fashion, and it displays the muscle tone and leg structure more.Light and shadows help this piece greatly. They help to define everything found throughout it.

The light and the shadows give the figure a definite look of three- dimensionality that it may lack with out. This takes away any possible way for this statue to appear static or boring. The light seems to highlight the forehead mainly near the lower brow. It brings depth to his inner arms while intensifying the musculature in his chest and stomach as well. The shadowy are brings out the fierce look and attitude in the face and eyes of this figure. It helps to define the muscle tone by creating a certain type of smoothness and takes away from that rough material used in the creation of this sculpture.

This particular statue can definitely be characterized as opened formed, due to its bodily placement and its highly developed facial features. It interacts well with the space around it. Its mere suggestive attitude that is created by the chosen position of the arms and in its head, show how this particular statue is opened formed. All these visual characteristics add up to something in particular. The power texture of the surface bearing rough markings and strong facial features suggest that in a way. This man is a guardian figure of some kind, warning or attempting to keep someone out of something or another.Bibliography:Guardian FigureUpon first sight of this sculpture, one is introduced to its overwhelming expression and brilliant size.

This untitled statue stands approximately life size at a mere six to six and a half feet tall and is about two or three feet wide. He is standing upright on a gray rectangular structure approximately three feet off the grounding making him about nine and half feet total. This is a monstrous sculpture when looked upon firsthand. It seemingly is a man, possibly a warrior of some kind. This statue is made from two different types of wood. The first of which is chestnut, which seems to encompass the lower portion of his body and in his clothing. Its color is a faded type of tan flesh tone.

The second type of wood is cypress, found mainly in his face and upper body. It, too, is the same in color, but appears to have some kind of paint or varnish of some nature found throughout the surface. The wood seems to be pieced together because the joints are quite noticeable to the eye. The carving marks are also apparent, making the overall expression of this mammoth sculpture much more intense. There are deeper markings found throughout the face, expressing his highly sloped eyebrows and extreme facial expression.Structurally, this figure is quite eye catching to say the least. Its broad, heavy shoulders are at an angle tilted upwards away from its hips.

Its back is arched forward as if he were bending forward, possibly conveying a message. His right arm is hanging at his side, bent inward towards his rib cage.His left arm is displayed in a manner as if he were in the motion of punching or delivering a blow of some kind. His facial features show great anger and fury through intense carvings in the brow and beneath his eyes in the cheekbones.

His mouth seems to be in the motion of delivering words, or maybe just a grunt of some sorts, and his eyes are cast at possible subjects.The creator of this sculpture chose a very interesting subject matter. It appears to be a man, possibly a warrior. He is larger in size, and is defined well physically. His facial features are extremely stylized and lack detail. His bulky and overwhelming size makes it hard for one to look at. His shirtless upper body is shown in great detail in a type of circular fashion.

It is anything but naturalistic. It is highly exaggerated in a way that makes him appear bigger than he actually may be. His lower body is covered from his hips to his knees with clothing, which bares resemblance to a kilt of dress. He has something on his head, which resembles a ponytail but could also pass from some type of headdress. He is also wearing enormous sandals from which his immense feet protrude.The texture of the surface of this sculpture is extremely rough, obviously due to the material from which it was made from.

This roughness is somewhat appropriate in that it displays this characters intense anger. The garb of this statue is smoother than that of the flesh, and hangs down to the back of his feet. It flows in a natural way, creating a sense of depth and dimensionality that the rest of the statue lacks.

The wavy, curvy lines found throughout his attire makes the eye move around the lower portion of the body, and brings the eye upward toward the chest and stomach region. It seems to define the legs in a well noticeable fashion, and it displays the muscle tone and leg structure more.Light and shadows help this piece greatly. They help to define everything found throughout it. The light and the shadows give the figure a definite look of three- dimensionality that it may lack with out. This takes away any possible way for this statue to appear static or boring.

The light seems to highlight the forehead mainly near the lower brow. It brings depth to his inner arms while intensifying the musculature in his chest and stomach as well. The shadowy are brings out the fierce look and attitude in the face and eyes of this figure. It helps to define the muscle tone by creating a certain type of smoothness and takes away from that rough material used in the creation of this sculpture.This particular statue can definitely be characterized as opened formed, due to its bodily placement and its highly developed facial features. It interacts well with the space around it. Its mere suggestive attitude that is created by the chosen position of the arms and in its head, show how this particular statue is opened formed.

All these visual characteristics add up to something in particular. The power texture of the surface bearing rough markings and strong facial features suggest that in a way. This man is a guardian figure of some kind, warning or attempting to keep someone out of something or another.